![]() Samantha does have an important character and the climax scene where she talks about Savitri is so heartwarming. ![]() Keerthy enacting Savitri’s Mayabazaar, Missiamma, and other film character roles are likely to be a few stand-out moments. Cameos from Naga Chaitanya and other actors have been beautifully twined with the script without overdoing it. It is a biopic on a heroine and his character also has a dash of negative shade to it but he has completely lived the role. But the second-half is where you get emotionally attached to the script and you are most likely to fall in love with Savitri towards the end when there is a recap of her entire life.ĭulquer needs to be appreciated for accepting a bold role as this. And a few heroine glorification scenes in the first-half constantly remind that it is just a film and nothing more than that. Few characters like the one who plays Samantha’s father look misfit. There are a few scenes that are over the top and could have been toned down a bit. Though it might seem a little too dramatic, Nag Ashwin deserves a pat for portraying a complex story in a neat and graceful manner. The complexity in the Gemini Ganesan and Savitri relationship is dealt extremely well. And even when the second-half has a lot of sad scenes, your attention doesn’t divert one bit. Though the film moves at a leisurely pace, you don’t find it boring. Nag Ashwin’s boldness to show both the sides in a poignant way is what Nadigaiyar Thilagam’s USP is. When it is a biopic, you need to talk about both the positive and the negative side of them. Biopics on film actors is a rarity in the South Indian film industry.
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